Over
the summer my eleven year old daughter read a contemporary piece of young adult
“literature”. This is not a genre I enjoy, but I read the work with her so that
we could discuss it together.
“Was it
a good book?” I asked.
“Yes!”
she answered.
“Why?”
I followed up.
“Because
I liked it.”
As I
continued to press her, she continued to locate the book’s objective goodness
in her subjective enjoyment of it. I was unsurprised by this. It is a natural
human tendency to conflate our subjective preferences with objective
qualities.
Why is
this?
First,
while it takes a mere moment’s reflection to determine whether or not we like
something, it is incredibly difficult to explain in what way and to what degree
a thing is objectively good or bad, true or false, or beautiful or ugly.
What is
more, because man is a unified being, and not a amalgam of objective thought
and subjective feeling, it is very difficult for people to separate their objective
analysis of a thing from the pleasure or disgust it evokes in them.
Yet it
is essential that we learn to do just this. Let any untrained child determine
his diet and he will subsist on candy, chips, soda, etc.—on things that give a
moment’s delight, but fail to nourish and promote the health of the body. In
the same way, let any untrained child determine his reading and he will subsist
on the trash that passes for children’s or young adult literature—books with
thin plots, shallow characters, asinine and repetitive, if not downright wicked,
morals—works that may produce momentary enjoyment, but fail to nourish and
promote the health of the soul.
What is
more, junk food and junk books alike stave off our hunger and thereby deter us
from seeking higher and better things that provide true nourishment for the body
and soul. What is more, this deprivation leads to a corruption of taste. The
child that only eats Skittles and Cheetos will not enjoy broccoli; the child
that reads junk books will not enjoy Jane Austen or Charles Dickens—the child
exposed only to trash will be far too easily pleased in his reading and eating.
An even
more serious problem, as Plato argued years ago, is the natural progression
from aesthetic relativism to moral relativism. If one can say “I like this
[movie, song, painting, book, etc.] therefore it is good and there is no
argument or evidence that anyone can say or produce to prove me wrong,” then it
is but a small step to say “I like this [act, lifestyle, etc.] therefore it is
good and there is no argument or evidence that anyone can say or produce to
prove me wrong.” In other words, if there are no aesthetic absolutes, if a
seemingly objective aesthetic judgment is merely a subjective preference in
disguise, then one may infer (and far too many do!) that there are no objective
morals and all objective truth claims are mere masks for subjective
preferences.
So
important was the connection between aesthetic and moral goodness to Plato that
he advocated banning poets; so real is this connection to me that I have told
my children, with only a touch of hyperbola, that I would rather they be
illiterate than read aesthetically or morally bad books. This seems an absurd
exaggeration, but people in oral cultures had both proverbial wisdom and
prodigious memories. While the culture and wisdom passed on in the Great Books
more than makes up for our loss of proverbs and our diminished memories, I am
not sure that the content of popular books compensates for the loss of these
two things.
The
aesthetic beauty of a thing is deeply connected with its power to influence our
thoughts and actions. Whereas reason moves the mind, beauty moves the heart.
The most important thing about a man is not his thoughts, but his loves. The
anarchist and libertarian are wrong in believing that freedom alone will lead a
man to naturally enjoy and embrace things that are good. The totalitarian and
authoritarian make the converse mistake in assuming that nothing but power and
fear can restrain a man from chaos. Man is neither angel nor demon, neither
naturally good nor incapable of goodness. Man is capable of the construction of
both Chartres and Dachau; of composing the melodies of Bach and the discord of
Kid Rock; men have followed saints like Francis and madmen like Jim Jones;
mankind has produced statesmen like Solon and Trajan and tyrants like Nero and
Caligula. Man is nothing less than a creature made in the image of God, fallen.
As such he must be trained to love what is good—neither left to himself to
choose or determine what is good nor compelled by brute force to choose what
the state deems good, but rather trained to love what is good.
This
training is essential to the internal harmony of both the soul and society. For
example, it is not enough to merely say to our children, “this is wrong, don’t
do it.” We must show them that wrong things are not only bad, but also ugly.
Right now we are laudably telling young men that sexual assault is wrong.
Nonetheless, the numbers of incidents seem undiminished. One of the reasons for
our lack of progress is that our approach is insufficient. Yes, young men must
be told that rape is wrong, but they also must be shown that it is false and
ugly. They must be not only told that their personal purity and the protection
of others is good, but also shown that this is a true and beautiful use of
their minds and bodies. People become what they love for they only pursue what
they love.
Reading
trashy vampire novels trains young women to love shallow romance; playing games
like Grand Theft Auto trains young men to love exploitation and selfish
pursuits. On the other hand, Jane Austen can teach a young woman to embrace the
painful growth of character that will prepare her for marriage; reading a work
like A Tale of Two Cities and seeing the example of Sydney Carton can
inspire a young man to embrace the type of self-sacrifice on behalf of another
that will prepare him to be a leader, husband, and father.
This begs
the question: what is a good book?
When
determining the goodness of a work one must consider both its aesthetic and
moral qualities. As simple as this sounds, an aesthetically good book is one that
is well-written and that speaks to something immutable in the human heart. Who
determines what is “well-written”? No single individual can make this
determination. All of us, even the best of us, are at times subject to the
biases of our particular circumstances such as our class, ethnicity, the age in
which we live, etc. Though these do not determine how we view a work of
literature, they certainly influence our views. Instead of looking to his own
limited experience and fallible judgment, a man ought to consult the “Democracy
of the Dead.” We ought to ask, “What have prior generations, especially the
best of those that have come before us, thought about this or that book?” If
generation after generation of readers consider a work well-written and worth
reading then it is well-written and worth reading. If we read it and come to a
different conclusion, the lack is not in the book, but rather in us. Single
generations often err in their valuation of a work of literature; but multiple
generations never do. If a book has withstood the test of time it is worth
reading.
In
determining the moral goodness of a work Plato again frames our inquiry. We
ought to ask, “Does this book elevate virtue or denigrate vice?” A book may
portray vice, but in so doing it ought to show the ugliness and consequences of
vice. Likewise and above all a book must never mock virtue. Praising vice and
mocking virtue train the heart to love what is evil and hate what is good. When
one reads a good work one does not analyze, but rather enters into and often enjoys
a new world. In so doing the work bypasses reason and directly affects the
heart. If its moral is perverse in some way, it will work toward the corruption
of one’s loves, which will in turn lead to a corruption of one’s thoughts,
choices, character, etc. Though this is a deeply conservative idea, even
progressives understand this principle. Consider, for a moment, the last film
you saw that mocked diversity or that praised racism. Hollywood does not make
films like this, knowing well that these types of films would move viewers away
from its values.
Just as
it is easy to find films that reflect the modern zeitgeist, it is relatively
easy to find books that are both aesthetically and morally good. Indeed, one could
spend a lifetime reading the likes of Dostoevsky, Augustine, Plutarch, Dante,
Virgil, Tolstoy, Lewis, Tolkien, etc. and never plumb their depths. The more
difficult question is: how do we train our children to not only prefer the
works of Tacitus to Twilight, but to love and to be moved and
transformed by great works?
As the
old saying goes, “You can lead a horse to water, but you can’t make it drink.”
We lack the power to make our children love anything. Nonetheless, we can and
should lead them to good literature time and again . . . and again . . . and
again . . . and again. We should also limit their exposure to junk literature.
The two, taken together, will often whet their appetite for good
literature.
For
example, I cannot make my children like carrots. But I can give them carrots
every day and require that they eat them. I can also limit their intake of
candy, chips, and soda so that their hunger encourages them to eat the food I
give them. They may grow up and resent me for this and indulge in junk and ruin
their health. I cannot control that. But in serving them tasty and healthy food
and explaining the goodness of it, I increase the likelihood that they will
develop a healthy palate. They will eat junk, both in my house and elsewhere,
but I can limit their intake of junk far more than I would like to admit.
In the
same way, you and I can share deep and moving stories with our children and we
can keep them from much of the cheap trash that passes for literature. They may
resent us and reject our teachings as adults, but in sharing great works with
them we highly increase the likelihood that they will develop a healthy desire
for good books. The man that has only known idleness may, in his ignorance, feel
content in his sloth, but the man trained in hard work, though he may become lazy,
will never be comfortable with his self-indulgence and this discomfort may
drive him to embrace work. In the same way, the mind that has only known
television and zombie books may be content with them, but the mind forged in Shakespeare
and Homer will never be satisfied with such offerings. The man that has been
well-trained may reject his training and read and watch junk, but his constant
dissatisfaction will often lead him on to greater things.
We have
a rich cultural inheritance and a duty to pass it on to those that follow us.
Let us prepare feasts of literature for our children that they may love and be
shaped by the great works that have helped to mold so many of the great men and
women that have come before us.